Photography that thinks like the people who designed the room.
Eleven years photographing finished interiors for the architects and designers who built them — because a space deserves to be documented by someone who understands the decisions inside it.
From architecture school to the other side of the camera
Alexandra trained in architecture before moving into photography, and that training shows up in how she reads a room before she ever raises a camera. She looks for the section line — the one vantage point where structure, light, and material all agree.
Her clients are mostly studios: small architecture practices, interior design firms, and the occasional furniture maker who needs a single hero image strong enough to lead a press release.
Today the studio works across Germany and travels for select commissions, with a particular focus on renovation and adaptive-reuse projects where the photography needs to carry both the "before" story and the finished room.
What a shoot day actually looks like
Site visit first
A short walkthrough, usually a week ahead, to plan the light and confirm what the room needs to show.
One fixed call time
Shoots are scheduled around the light the room actually has, not a generic morning slot.
Edit within the week
A culled, graded set delivered fast enough to make a submission deadline.
Not a one-person operation on the busiest days
Larger commissions — full building documentation, multi-day shoots, or anything needing a second set of hands for lighting — bring in the studio's small standing team of an assistant and a retoucher.